Saturday, December 15, 2012

08 Joint Design Nº 38




These are the other two 40mm carving wax balls I cast. First I filled in the holes where the spares were, using scrap pieces of carving wax, and my wax pen. Click on any image to enlarge it.






Next I used my paring knife to scrape off the excess carving wax.






Then I used some sandpaper to smooth the scraped areas.






The actual work is practice, practice and more practice: adding, subtracting, and smoothing repeatedly. Martha Armstrong-Hand



Here are a few more quotes from the book, Art & fear by David Bayles and Ted Orland, that I think are relevant to making my doll.

Artmaking involves skills that can be learned. The conventional wisdom here is that while "craft" can be taught, "art" remains a magical gift bestowed only by the gods. Not so. In large measure becoming an artist consists of learning to accept yourself, which makes your work personal. and in following your own voice, which makes your work distinctive. Clearly, these qualities can be nurtured by others. Even talent is rarely distinguishable, over the long run, from perseverance and lots of hard work. pg.3

Art is made by ordinary people. Creatures having only virtues can hardly be imagined making art. It's difficult to picture the Virgin Mary painting landscapes. Or Batman throwing pots. The flawless creature wouldn't need to make art. And so, ironically, the ideal artist is scarcely a theoretical figure at all. If art is made by ordinary people, then you'd have to allow that the ideal artist would be an ordinary person too, with the whole usual mix of traits that real human beings possess. This is a giant hint about art, because it suggests that our flaws and weaknesses, while often obstacles to getting our wor done, are a source of strength as well. Something about making art has to do with overcoming things, giving us a clear opportunity for doing things in ways we have always known we should do them. pg.4

In fact, if artmaking did not tell you (the maker) so enourmously much about yourself, then making art that matters to you would be impossible. To all viewers but yourself, what matters is the product: the finished artwork. To you, and you alone, what matters is the process: the expereince of shaping that artwork. The viewer's concerns are not your concerns (although it's dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it, to make a killing off it, whatever. Your job is to learn to work on your work.

For the artist, that truth highlights a familiar and predictable corollary: artmaking can be a rather lonely, thankless affair. pg.5

The point is that you learn how to make your work by making your work... pg.6




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